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#Roxane gay bad art friend full#
So, before we get started, let me give you some full information on Debbie and Roxane. I can’t wait for you to hear the conversation. Debbie and Roxane’s work has been really important in my life, and to get to know who they are as people, to know how they fell in love, to know who they are as a couple, to talk about the ins and outs of ordinary life is in itself extraordinary. We’re talking about the power of a dinner party. We’re talking about their love story, which involves everything from amazing rom-com moments to cringey first new love and waiting and not knowing when to push and when to ask.īB: We’re talking about creativity and this kind of relentless need to make space and time to create and do what you love in your life, and how saying yes to things that you don’t want to do - but you’re afraid to say no to because you’re afraid people will either stop asking or that you’ll disappoint people - get in the way of a really wholehearted, purpose-driven life. Roxane and Debbie are married and we are talking about love. Roxane is a writer, editor, cultural critic, and co-host of the podcast Hear to Slay. I am talking with Debbie about her work, and I am talking with Roxane Gay. Debbie Millman is a designer, author, educator, and the host of the award-winning podcast Design Matters, which is one of the first and longest-running podcasts in the world. And I am so excited about this conversation. I’m Brené Brown, and this is Unlocking Us.īB: You know, some days I just think to myself, “Do you really get to do this for a living? Do you really get to talk to all these incredible teachers and creators, and learn from them and learn about them?” And the answer is, “Oh hell, yes, this is what I get to do and I am so grateful.” The best way to honor the fact that this is what I get to do is just be deeply grateful for it every day, and I am deeply grateful. Instead, she challenges society to end racial inequality altogether by being compassionate when tragedy strikes or injustice occurs.Brené Brown: Hi, everyone. She also advocates that criminals and terrorists don’t have to fit into certain racial stereotypes. Gay writes at length about reproductive freedoms as an inalienable right instead of a political campaign issue. Part Four connects the themes of gender, race, and politics through a variety of stories and examples. All of these portrayals are stereotypes that don’t accurately represent the black experience. She writes cultural criticism on The Help, Django Unchained, 12 Years A Slave, Fruitvale Station and Tyler Perry’s films. In her section on Race & Entertainment, Gay critiques the portrayal of African Americans in film and television. To conclude this section she talks about how fairy tale ideals demand women make disproportionate sacrifices for their relationships which can be dangerous if not done right. She also discusses how the entertainment industry contributes to rape culture through jokes about sexual violence or normalizing it altogether.
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She writes about LGBTQ+ rights and the fact that the male experience is still valued above the female experience when it comes to what literature is considered “highbrow art”.
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Gay touches on inequalities in a variety of spheres. In addition to these works she writes about her own experience with rape while in middle school. She also mentions other works such as The Bachelor, Sex in the City, A Room of One’s Own by Virginia Woolf, The Awakening by Kate Chopin, Middlemarch by George Eliot, as well as Margaret Atwood’s The Handmaid’s Tale. These include Sweet Valley High (series), Miss America (film), Bridesmaids (movie), Girls (TV series), Play It As It Lays, Green Girl, Girlfriends, Twilight, and Fifty Shades of Grey. Gay critiques a number of books, movies, and television shows written by, for, and about women. Part Two focuses on gender equality and sexual violence. In this section of the book, Gay shares stories from her first year teaching and finding community through competitive Scrabble. For example, she is a tenure-track professor living in a small town. She also acknowledges that she is privileged in many ways. In part one, Gay writes about her identity as a black woman. Instead of being essentialist (believing there is one right way), we should support inclusive feminism which acknowledges that everyone has different needs and experiences as well as different ways of expressing themselves, both philosophically and physically. But Roxane believes that women are imperfect and cannot be perfect all the time, so they shouldn’t have to try to be perfect in order to be good feminists. She doesn’t always agree with them or follow their rules. Roxane Gay is a feminist, but she’s not like the other feminists.